{"id":688,"date":"2024-07-10T13:06:20","date_gmt":"2024-07-10T11:06:20","guid":{"rendered":"https:\/\/aneri.isialab.it\/lungarno\/?p=688"},"modified":"2024-09-18T18:18:01","modified_gmt":"2024-09-18T16:18:01","slug":"musei-senza-pareti-hypermaremma-arte-libera-e-territorio-2","status":"publish","type":"post","link":"https:\/\/aneri.isialab.it\/lungarno\/arte\/musei-senza-pareti-hypermaremma-arte-libera-e-territorio-2\/","title":{"rendered":"MUSEI SENZA PARETI: HYPERMAREMMA, ARTE LIBERA E TERRITORIO"},"content":{"rendered":"\n
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MUSEI SENZA PARETI: HYPERMAREMMA, ARTE LIBERA E TERRITORIO<\/h1><\/div>\n\n\n\n
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10 luglio 2024<\/h3><\/div>\n<\/div>\n\n\n\n
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di Gaia Carnesi<\/h2><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n<\/div>\n\n\n\n
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L\u2019arte abita il territorio e lo attraversa libera. Se questa estate vi capiter\u00e0 di incontrare un gorilla di bronzo sulla spiaggia della Feniglia non fatevi cogliere impreparati, nessun collezionista ossessivo in vacanza se ne \u00e8 dimenticato. \u00c8 opera dell\u2019artista Davide Rivalta nell\u2019ambito del Festival d\u2019arte diffusa\u00a0Hypermaremma<\/em><\/strong>, che dal 2019 agita con la sua onda contemporanea il quieto confine maremmano. L\u2019associazione di promozione sociale nasce dalle brillanti menti\u00a0dei galleristi Giorgio Galotti, Carlo Pratis e del collezionista Matteo D\u2019Aloja<\/strong>, che ci racconta:\u00a0\u00abSiamo opera libera e non un luogo elitario come il tipico museo. Abbiamo scelto questi luoghi perch\u00e9 qui manca il contemporaneo. L\u2019artista entra in relazione con lo spazio naturale in un dialogo diretto tra arte e territorio, dove ogni opera \u00e8 la conseguenza del luogo in cui verr\u00e0 inserito\u00bb.<\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Giulia Mangoni, Eusebia. Una storia di donna e di vino, 2024, Isola del Giglio<\/em><\/p>\n\n\n\n

Siamo abituati a vedere i musei cambiare pelle come attori in base all\u2019artista che ospitano,\u00a0Hypermaremma<\/em>\u00a0\u00e8 invece un progetto capovolto perch\u00e9\u00a0\u00e8 l\u2019arte ad adattarsi allo spazio, non il contrario.<\/strong>\u00a0Tra i vicoli dell\u2019Isola del Giglio potrete vedere sventolare festoni mistici nell\u2019installazione\u00a0site specific<\/em>\u00a0Di Donne, di Pirati e di Santi<\/em>\u00a0dell\u2019artista\u00a0Giulia Mangoni<\/strong>, che in collaborazione con la Compagnia dei Cosi racconta il patrono dell\u2019isola e suo salvatore\u00a0dall\u2019invasione dei pirati Turchi. Tramite l\u2019infografica consultabile sul sito hypermaremma.com \u00e8 possibile scovare tutte le installazioni. L\u2019obiettivo del progetto \u00e8 coinvolgere attivamente chi non \u00e8 solito seguire l\u2019arte contemporanea, lasciando un\u2019impronta sostenibile sul territorio. Aperto a contaminazioni internazionali,\u00a0il festival provoca un cortocircuito comunicativo grazie ai manifesti di propaganda che imitano l\u2019estetica delle sagre rionali<\/strong>. In Maremma territorio e installazione artistica parlano la stessa lingua e continuano a dialogare, anche quando tutti gli spettatori sono andati via.<\/p>\n\n\n\n

Foto: Daniele Molajoli<\/em><\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

MUSEI SENZA PARETI: HYPERMAREMMA, ARTE LIBERA E TERRITORIO 10 luglio 2024 di Gaia Carnesi L\u2019arte abita il territorio e lo 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